Tag: gina
The Digital Panopticon: Deconstructing Consent and Trauma in Gina S. Noer’s Like & Share
In Susan Sontag’s seminal 2003 essay Regarding the Pain of Others, she posited that we live in an era where reality is fundamentally shaped by spectacle. The camera, she argued, provides a window into experiences that would otherwise remain unreachable to the spectator. Yet, this window carries a heavy ethical burden: What separates a work […]